Just finished off my second roll of Kodak Tri-X, not impressed with my first I decided to try a different developer. Using Tetenals Paranol S with the fist roll resulted in very grainy images so I decided upon Kodaks HC-110, staying clear of their D96 powdered developer as I didn’t want the faff of mixing and storing it. HC-110 is easy to use and lasts for ages, just decant a small amount of the syrup into an old 35mm film canister and store away the rest to use at a later date.
It’s a great bulletproof film that every film photographer has to try, nice grain and can be pushed (as I’m lead to believe) to produce really contrasty images.
Anyway, enough ramblings, here are some photos of some boats.
All Taken With an Olympus OM10 using Kodak Tri-X 400 35mm film and Kodak HC-110 mixed from stock 9ml-291ml for 3.45mins
Walking along Shaldon seafront I noticed this chap with his patient girlfriend setting up his Tripod, pulling out his gurt big camera from his oversized rucksack, he set the camera on the tripod. Out came the filters, then the light meter. 10 minutes later he was still there and finally set to take the shot. “Morning,” I said as I pulled out the ol’ Trip. A quick click later and I was on my way to the cafe with my wife to enjoy a nice hot cuppa…… And the chap? I believe he is still there 🙂
Film: Fomapan 400
Development: Paranol S 1:20 7mins
Now, before you read this little piece I’d like to make it clear that I’m no expert but I currently have my head buried in a fantastic book on composition that has made me look just that little bit more closely when peering through the viewfinder.
Below is a quick snapshot I took whilst travelling across Dartmoor. We stopped off for a quick cuppa in the camper and I spotted this stunning mountain just begging to be captured.
A nice scene I thought, but surely it could be made just that little bit better. A quick ramble around and things got a bit more interesting.
Same mountain but now we have some added foreground interest , tucked in just to the left and obeying the “Rule of Thirds”. The tree also gives the scene a sense of scale, something to gauge the size of the mountain. Anyway, the point is when you see a scene that draws your attention you’ve sometimes got to take your time and look around a bit.
The book is called “The Photographer Eye” and it by Michael Freeman.
Lesson No.1 for me was to give the old Polaroid enough light to expose the image or you won’t get much of one, now moving on to lesson No.2 I have found that even though they call it a Polaroid ‘Sun’ camera don’t point it at the sun and expect it to expose your image properly, the dynamic range isn’t that great…
I scanned this little chap using the new Google Photo Scanning app which was released yesterday, and I must say even though this looks like an epic fail it is actually a great representation of the original image.
Time will tell if it gains any traction or if google decide to bin it.
A candid shot of a good old friend of mine. I enjoy taking photos of people, people rather than persons. To have them in the shot but not to know who they are, more like objects. Try and tag this Facebook!
Camera: Olympus Pen EE
Film: Agfa Vista 400
Development: Cross-processed in Paranol S 1:20 7mins
I’m a sucker when it comes to picking up old camera gear, when this Sun 660 turned up I just couldn’t refuse especially as it only set me back £4, the film however comes in at a whopping £17 for 8 shots! Not a camera that I’m going to use every day but there is something magical about them, something that should be on every photographers bucket list.
Back to Long Exposure testing with my trusty Gnome Pixie Box camera.
Used a lighter grade welding glass this time (grade 3) as the exposures before were way too long, 30 mins in bright summer sun! With the G3 Glass and using Fomapan 100 film the shot was taken with around 15 mins of exposure and it was a gloomy day in the woods. The negative came out really light so it could have done with another 5-10 minutes really but nonetheless with a bit of Post Production the image popped right out. We are getting somewhere now, with a nice bright day I could probably get this down to 5 minutes or so.
Through the View finder
The Finished Shot
A lot of faffing around but hopefully you’ll agree that it was worth it!
Camera: Gnome Pixie
Film: Fomapan 100 120
Development: Tetenal Paranol S