Shaldon Lighthouse

col251

Walking along Shaldon seafront I noticed this chap with his patient girlfriend setting up his Tripod, pulling out his gurt big camera from his oversized rucksack, he set the camera on the tripod. Out came the filters, then the light meter. 10 minutes later he was still there and finally set to take the shot. “Morning,” I said as I pulled out the ol’ Trip. A quick click later and I was on my way to the cafe with my wife to enjoy a nice hot cuppa…… And the chap? I believe he is still there 🙂

Film: Fomapan 400
Development: Paranol S 1:20 7mins

Advertisements

Composition

Now, before you read this little piece I’d like to make it clear that I’m no expert but I currently have my head buried in a fantastic book on composition that has made me look just that little bit more closely when peering through the viewfinder.

Below is a quick snapshot I took whilst travelling across Dartmoor.  We stopped off for a quick cuppa in the camper and I spotted this stunning mountain just begging to be captured.col259

A nice scene I thought, but surely it could be made just that little bit better.  A quick ramble around and things got a bit more interesting.

col258.jpgSame mountain but now we have some added foreground interest , tucked in just to the left and obeying the “Rule of Thirds”.  The tree also gives the scene a sense of scale, something to gauge the size of the mountain.  Anyway, the point is when you see a scene that draws your attention you’ve sometimes got to take your time and  look around a bit.

The book is called “The Photographer Eye” and it by Michael Freeman.

The shooter

A candid shot of a good old friend of mine. I enjoy taking photos of people, people rather than persons.  To have them in the shot but not to know who they are, more like objects.  Try and tag this Facebook!

img086_1

Camera:  Olympus Pen EE

Film:  Agfa Vista 400

Development: Cross-processed in Paranol S 1:20 7mins

 

Long Exposure Testing

Back to Long Exposure testing with my trusty Gnome Pixie Box camera.
Used a lighter grade welding glass this time (grade 3) as the exposures before were way too long, 30 mins in bright summer sun! With the G3 Glass and using Fomapan 100 film the shot was taken with around 15 mins of exposure and it was a gloomy day in the woods. The negative came out really light so it could have done with another 5-10 minutes really but nonetheless with a bit of Post Production the image popped right out. We are getting somewhere now, with a nice bright day I could probably get this down to 5 minutes or so.

 

The Camera

img_20160909_112549

The Location

img_20160909_105418

Through the View finder

img_20160909_105120

The Finished Shot

col192

A lot of faffing around but hopefully you’ll agree that it was worth it!

Camera: Gnome Pixie
Film: Fomapan 100 120
Development: Tetenal Paranol S

HOLMAN BROS LTD

col199.jpg

Camera: Olympus Trip 35

Film: Agfa Vista Colour Film

Development: Cross Processed in Paranol S Black and White Chemicals

Holman was a blacksmith who worked closely with Richard Trevithick and others to produce steam engines. After establishing Holman Brothers, the company branched out into all forms of mining machinery and quickly became a leading international manufacturer of drills and tools.

At its height Holmans was spread over three sites within Camborne, employing some three and half thousand people.

Cornish mining is renowned worldwide. Alongside the mining industry there evolved an industry manufacturing specialised mining equipment. Holman’s founder, Nicholas Holman started a boiler works in 1801.

At its height Holmans was spread over three sites within Camborne, employing some three and half thousand people.